Saturated and Candy-Colours of Veronica Hebard

Veronica Hebard is an illustrator and comic book artist based in Boston, Massachusetts. Her illustrations exert a really engaging effervescent quality that demonstrate the benefit of using colours that go a step further.

veronica hebard illustrations

Veronica studied at the School of Visual Arts in New York and at the Massachusetts College of Art in Boston.

She started illustrating while at college: ‘I was lucky enough to get a few jobs with the guidance of the faculty. After graduating, I realized the things that made me the most nervous: cold calling (!) would be totally necessary to keep getting work’.

veronica hebard illustrations

A frequent hurdle for illustrators is in compiling a portfolio of work that is consistent and of a style that can be recognized as theirs.

‘I kept feeling like my portfolio wasn’t unified enough. I enjoyed doing so many things (comics, fashion illustration, gallery shows) that sometimes looked like the art didn’t come from the same person. So I tried to focus my images and process a bit more, but still end up doing comics, fashion illustration and gallery shows!’

veronica hebard illustrations

When painting, Veronica normally works on either wood or heavy paper. ‘I draw the image with a red or blue pencil, and put down a very bright layer of acrylic paint, which is a lot more saturated and candy-colored than oils. When it dries, I layer that with gloss and start the oil painting. After that dries, I seal the image again, and pull out fine details with colored pencils. I like switching between spontaneous brush strokes and the technical stuff.

I love using Golden’s Heavy Body acrylic, Rakuten gouache, Deleter ink, and Rives BFK paper’.

veronica hebard illustrations

I am always intrigued to find out how illustrators and artists get good at drawing the human form. I asked her what led to her skill in drawing human shapes:

‘At the School of Visual Arts, my foundation year was spent with this amazing figure drawing teacher, Andy Gerndt, who totally whipped us into shape.  We drew the model 5 hours a day, every day for the school year. It was labor intensive, but excellent!’

veronica hebard illustrations
ⓒ Veronica Hebard, 2009

Veronica is currently working on 2 covers for a pair of graphic novels called “Harker: Legend of Dracula”. ‘It’s a great version of the classic that takes you into Jonathan Harker’s point of view, but as if he was the only one who can see the vampires’.

She’s also working on a new set of paintings based on French folklore and the Black Plague, which we look forward to. Her partner, Andy Fish is also a talented illustrator, whose work is well worth looking at.

Thanks and good luck, Veronica!

MoonApe: Follow me on Twitter

 

You might also like

  1. Atmospheric Scenes in Acrylic on Board by Julia Iredale
  2. Manuja Waldia’s Florally Adorned Painted Characters
  3. Fun Animations in Stripped Down Palettes by Amélie Tourangeau
  4. A Clever Assortment of Techniques with Andrey Smirny
  5. Game Elements and Oscar-nominated Animation by Patrick Doyon
  6. How BloodBros. Developed his Vector Style
  7. Tianhua Mao Blending Traditional Influences and Modern Aesthetics
  8. Architectural Reduction Lino Prints by Dan Howden
  9. Tender Pencil Illustrations by Chrissy Curtin
  10. Multifaceted Design in Paper Sculptures by Helen Friel
  11. Exuberant Colours in Inky Illustrations by Katie Vernon
  12. Fundraising Event at Pop Brixton with Live Drawing and Doodle-based Entertainment
View All

2 Comments

  1. Gorgeous – the thing that stands out here are just how vibrant the colours are. Really bold, but it works well.

  2. Yes, I particularly like the bold, fizzy colours – great artist

Comments are closed.